Born in the early 1950s in a tiny village in the highland of the Czech Republic, close to the town of Havlickuv Brod, Jiri Resnik grew up on a small family farm. When he was still a young boy, the farm was seized by the government, and Jiri was forced to move with his family to an old, small house belonging to the newly established State cooperative farm. He lived there with his mother and sister. His father was taken to prison for several years because of his refusal to yield his farm to the government.
There was no advanced school for young Jiri to attend, so he went to the glass cutter school which was not far from his village. After his schooling, he worked in the cut glass workshop of the large government-owned Bohemia Crystal factory until 1990 when, with the collapse of Communism, this factory transitioned back to private hands.
In 1994, because of his renowned skill, Mr. Resnik and 4 other glass cutters were invited to join a new glass workshop, where he became the head of all glass cutters. It is there that he continues his mastery of cutting unique patterns into lead crystal forms, using a steady, skilled hand, applying the blank crystal forms to a whirring diamond wheel. Mr. Resnik designed the Novaleska vase, a masterpiece with hundreds of meticulous cuts made by Mr. Resnik's experienced hand at the wheel.
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A drawing of the desired shape is made |
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A wooden or an aluminum mold is made of the desired shape |
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Sand, lead, soda, barium carbonate, zinc oxide, antimony and potash are melted in a 1400˚C furnace |
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The molten crystal is collected on a mouth blowing stick |
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The crystal is mouth blown into the wooden or aluminum mold to create the shape |
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The shape is cooled from 500˚C to under 100˚C to reduce tension inside of the crystal |
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The top is cut, tapped, and polished; the crystal blank is ready for cutting |
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A drawing of the design is created |
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A net of basic lines is drawn on the blank |
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According to the lines, the pattern is hand cut onto the crystal blank with a diamond wheel |
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The piece is polished in acid |
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The cut pattern is covered with a covering glue |
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The exposed crystal is sprayed with a glaze for the desired color |
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The covering glue is peeled off of the product |
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The crystal is fired in an oven of 175˚C for 60 minutes to turn the glaze to a brilliant color |
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Matte etchings are made into the parts with color |
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The designer etches name, date, and number on the bottom of the crystal |
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